<   4   >

The image of the Virgin of Charity that became the object of a local popular cult in a small marginal hermitage is displayed in its modern basilica in a monumental way. The small effigy seems aloof enclosed in a rotating glass case set in a high niche of the marble altar. At that height, she is hardly visible from the ground. Special theatrical effects such as the uncovering and illumination of the image and the rotation of the case produce some awe and spectacle during religious services.

Although visitors can see the rotating image at a closer range from the mezzanine floor behind the altar, the reverential distancing effect is always maintained. No candles, flowers or votive offerings--all popular expressions of rapproachment to a venerated image--are allowed in this space where the Virgin's tiny effigy is displayed as an object of contemplation in a museum-like setting. That exhibition mode enhances the image's aura as a unique and holy object.

The protected image is literally enclosed in its own sanctuary and never allowed to leave the interior of the temple except for extraordinary occasions. An early 17th century miracle story recounted that the Virgin's image often disappeared from her small hermitage at nights only to reappear the following morning in the altar with her clothes wet. The old hermit custodian of the image used to scold the Virgin's effigy for its nightly escapades into, it was implied, the waters of the Nipe Bay where it had been found.